Matthew Brook

Matthew Brook has appeared widely as a soloist, and has worked extensively with conductors such as Sir John Eliot Gardiner, Richard Hickox, Sir Charles Mackerras, Harry Christophers, Christophe Rousset, Paul McCreesh and Sir Mark Elder, and many ensembles including the Philharmonia, LSO, the St Petersburg Philharmonic, the RPO, Freiburg Baroque Orchestra, Orchestra of the Age of Enlightenment, the English Baroque Soloists, the Gabrieli Consort & Players, the Sixteen, the Royal Northern Sinfonia and Orchestre National de Lille.

Recent and future highlights include Haydn’s “Creation” with the City of Birmingham Symphony Orchestra, Handel’s “Messiah” with the Danish National Symphony Orchestra and with the Los Angeles Symphony Orchestra, Bach’s “Magnificat” and Brahms’ “Triumphlied” with the Cincinnati Symphony Orchestra, Il Re di Scozia in “Ariodante” with the Staatstheater Stuttgart and on tour with the English Concert, Bach’s “Mass in B Minor” at the Al Bustan Festival in Beirut, Fauré’s “Requiem” with the Orchestre de Chambre de Paris and with the Royal Philharmonic Orchestra, Mozart’s “Requiem” with the Fryderyk Chopin Institute in Warsaw, a tour of Bach cantatas with the Monteverdi Choir and Sir John Eliot Gardiner, and with the Nederlandse Bachvereniging, a tour of Bach’s “St Matthew Passion” with the Orchestra of the Age of Enlightenment, and the roles of Herod and Father in Berlioz’s “L’enfance du Christ” with the Melbourne Symphony Orchestra and Sir Andrew Davis.

Pic. Richard Shymansky